Dolores – To die no more

October 17, 2011

Normally for such a post, I would offer some sort of bias disclaimer. Something like, “This album is incredible, but my opinion may be slightly swayed by the fact that it was made by one of my best friends.” No such disclaimer is needed for this. Dolores’ album To die no more is a perfectionist finding perfection in music he loves the most. Ryan De La Rosa has been working on this project for countless months and now, after what has seemed like an eternity for those of us that know how much thought and creativity Ryan pours into his art, Ryan has unleashed the fruit of his labor. What lies a mere click or two away from you now is not a black metal fan’s take on drone and ambience. It is not an appreciator of noise’s attempt to meld genres into a cacophony of sound. Instead, what you’ll find is a true disbeliever of beauty’s attempt to convince himself that beauty truly does exist. I can only hope that as he listens to what he has made here, despite what anguish peeks its head out from the recesses and corners of these songs, he finds it. I certainly do, even after forgetting its existence.


Ryan is also offering physical copies of this album on CD and cassette in hand-made packaging for the simple cost of shipping them to you. Get in contact with him through his bandcamp and be sure to let him know what you think of this album.

Oh shit. I’ve been waiting for this album to leak forever. I say that about a lot of the stuff I post, but I’ve been patiently anticipating this album for what feels like years. With this album, This Will Destroy You has set out to break free from the labels people have been slapping them with. They’re not cool with being lumped into the same category as Explosions In The Sky, Mono, etc. As a result, this album is much darker and noise-laden with some major drone and ambient influences. The album opener even features some vocals, but they’re so hoarse and distressed that they become more like another instrument than anything else. In some ways, I think the band chose to alienate listeners with this release. Fans of the formulaic (read: cliche) , rise-fall-rise Post-Rock will likely find this album hard to listen to, and I’m fairly certain that’s what they were striving for.  I think a lot of people will appreciate the band’s new direction, however. I would choose to listen to this over the new Explosions In The Sky any day.